ONE SENTENCE ELEVATOR PITCH:
This acoustic septet from Upstate New York is a sonic whirlwind of foot-stomping Americana, complete with mandolin, alto/baritone saxophone, cajon, and upright bass, all led by a soaring harmonic trio of powerhouse female vocalists.
ONE PARAGRAPH SYNOPSIS:
Drawing from every corner and decade of America's musical landscape, Upstate Rubdown has been described as a "hurricane of sound". The unique instrumentation includes mandolin, cajon, upright bass, and alto/baritone saxophone, all fronted by a powerhouse of 3-part female vocal harmony. The band can land perfectly in any setting, from intimate house concerts to prominent festival stages. The material is innovative and forward thinking, but never at the expense of a great hook or a solid groove. Upstate Rubdown plays music to move your body and soul.
3-PARAGRAPH WEBSITE BIO:
Upstate Rubdown is an acoustic septet drawing inspiration from every corner and decade of America's musical heritage. Based in New York State's Hudson Valley region, the band has spent years cultivating its sound, and continues to grow by the tune. The instrumentation includes Harry D'Agostino on upright bass, Ryan Chappell on mandolin, Dean Mahoney on cajón, and Christian Joao on flute and alto/baritone saxophone. The dynamic rhythm section supports a three part vocal harmony powerhouse of founding members Mary Kenney and Melanie Glenn with recent Nashville-transplant Allison Olender.
Over its five year history, the band has played in more than twenty states, from intimate house concerts to prominent festival stages, including Mountain Jam, Frendly Gathering, and Green River Festival. The band has opened for Cory Henry, Phox, The Felice Brothers, and many others.
Otis Mountain Get Down captures the heart of the matter:
"Pulling from the greatest corners of American music, this group has the power to get feet moving with or without amplification. Like fresh-farmed vegetables, their music is as organic as it is good for you. From foot-stomping bass, highlighted by the slap of a cajon, to the familiar strums of the mandolin over a wailing saxophone – there’s so much going on instrumentally that when the harmonious lead vocalists chime in, the result is nothing short of a homegrown hurricane of sound."